Dirk Hoogeveen
artist, architect,
I like to build things outside or in the city
(sculptures which relate to their surroundings)
with Tiny Art Gallery The Hague
Barcelona, ES
Aluminium relief triptych
3x 12x12cm
Antwerp BE
My bedroom window used to be next to a traffic light along The Westzeedijk in Rotterdam. Racing cars and screaming tires became my wake up alarm.
Part of an overarching project on car culture.
Kieken Centrale
Antwerp BE
Sculpture for the openingshow of the Kieken Centrale. Infrastructuurtje #1 shows the ruin as a landscape supporting the elements which are frequently erased or seen as ‘unhandy’. Instead of getting rid of the electrical cables, interpreting them as an architectural element in the exhibition space.
by Verloren Bekisting
Ghent, BE
An advertisement for an architectural publication. The publishers are, just like me, cultural immigrants who moved from The Netherlands to Belgium. The Netherlands is facing a big societal problem - the housing crisis. The work advocates for an eazy solution: proposing the marconitowers in a flemish polder.
The work is inpired by the famous Bauhaus costume parties where architects dressed up as their favourite buildings.
(Sometimes the grass is greener on the other side)
Leiden, NL
For the exhibition “Where did the horses go” at projectspace Sekreet, I collaborated with Sjors Smit for a 10-day on-site working period to develop a series of new works. Our inspiration came from the myth that the previous owner once housed cattle in the living room, using the toilet as a drinking trough. Our work seeks to reintroduce this narrative into the space through a series of architectural interventions.
A cut through the wooden floors, exposing the foundations of the building. Extending these foundations, we poured a new concrete pedestal, forming the basis for our column. The cut, together with the extended foundation, suggests that the architecture is build around our inserted column, shifting the architectural hierarchy within the space.
The character of the inserted column resembles that of a stable. To dress the column, we casted several aluminum hooks as ornaments, where the horses could be tied. We also casted some cowboy buckles, so that everyone can be a cowboy.
In collaboration with Sjors Smit
Rotterdam, NL
Zurich, CH
Fundazion Nairs, CH
When we encounter The Erratic we see a rather large stone, with a slightly flattened shape and a weathered surface. We see a common glacial erratic, like we find them in so many places on this earth. However, if we touch The Erratic, we realize that we are not dealing with an ordinary boulder. The stone sounds metallic and hollow and when pressed lightly in the right place, a door opens up. If we now enter The Erratic we find just enough space for one person with a little luggage. There is light, electricity and a soft yet sturdy sitting or lying area – a hiding place, but for whom? for us? or for something that is dear to us? what could we hide in here? or are we perhaps in a hiding place of another person? of someone who wants to hide themselves or something else? hide, but why? and from whom? from us?
The Erratic will be a sculpture on the move. A sculpture that secretly wanders. Whenever we think we have it pinned down, it will already have moved on again. It’s journey is to begin in the city of Zurich, continue in the adjacent valley of the rivers Limmat and Rhine and from there it shall lead further down stream until it eventually reaches the haven of Rotterdam.
The project is in collaboration with Jan Hofer.